Artist: John Eliot Gardiner, Royal Concertgebouw Orchestra Title: Johannes Brahms: Complete Symphonies Year Of Release: 2025 Label: Deutsche Grammophon (DG) Genre: Classical Quality: FLAC (tracks + booklet) Total Time: 02:38:33 Total Size: 636 MB Tracklist:

1. Brahms: Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto – Allegro (15:21)
2. Brahms: Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto (8:30)
3. Brahms: Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso (4:20)
4. Brahms: Symphony No. 1 in C Minor, Op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro (16:07)
5. Brahms: Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo (19:17)
6. Brahms: Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo (8:35)
7. Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso (quasi andantino) (4:58)
8. Brahms: Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito (8:57)
9. Brahms: Symphony No. 3 in F Major, Op. 90: I. Allegro con brio (12:34)
10. Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante (8:15)
11. Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (6:39)
12. Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro (7:52)
13. Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo (11:29)
14. Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato (10:14)
15. Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso (5:48)
16. Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato (9:47)

Sir John Eliot Gardiner releases his new album, on which he presents live recordings of all four Brahms Symphonies taken from a cycle of critically acclaimed concerts from Amsterdam with the Royal Concertgebouw Orchestra starting in 2021.

Explaining his decision to re-record the cycle following a version on period instruments almost two decades ago, Gardiner notes: “I sensed a need and a personal challenge to build on that seminal earlier experience and to extend its findings and interpretations to/in working with a modern instrument orchestra – especially such a distinguished, flexible and immensely accomplished one as the Royal Concertgebouw Orchestra – in search of a fresh synthesis of styles and approaches.”